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The Photoshop interface is designed to be intuitive. You can literally learn the software in a few hours. For more, see our friends at Macworld’s Basics of Photoshop tutorial.

Or, if you’re feeling like a challenge, take Photoshop CS5’s Learn Photoshop Online mini-course.

Check out this list of Photoshop tutorials and articles for a quick tutorial or how-to guide on a variety of Photoshop topics.


Creating an Effective Composite

Adding Graphic Effects

Creating a Digital Photo Collage

Adding Special Effects and Text

Creating a Text Effect

Add Film Stock and Touch Up an Image

Add Text to an Image

Converting an Image to Black and White

Converting an Image to Sepia Tone

Making a Black and White Photo Look Film-Style

Enhancing Details in a Digital Photo

Filtering & Adjusting Images for Print and Web


Grow a Photo

Make a Lomo Effect

Merging 2 or More Images into 1

Rasterize an Image Into an Illustration

Remove a Cloud from an Image

Scaling a Photo

Selective Color Enhancing an Image

Smoothing Edges and Details

Make a Photo More Interesting

The Basic Photoshopping Techniques


After creating your first image, it might be tempting to jump right into Photoshop and start playing with layers. But first, think about what you want to do and look for ways to create the effects you want without using a ton of layers.

A multipage Photoshop file uses layers to organize and hide parts of your image. As you create layers, they stack on top of one another, with the bottom layer hidden. When you apply a change on the bottom layer, you can see the results on the layer above and the change applies to all the layers on that one layer. Most of the time, only the bottom layer’s results are visible.

To create the effects you want, look for ways to apply changes to your image using simple tools and techniques that don’t use a ton of layers. You can create many effects without using Photoshop’s compositing capabilities. Using a few simple tools, you can transform an image into a montage, make it look like it was shot on film, or even create a masterpiece portrait. Just because Photoshop has a Compositing option doesn’t mean you need to use it.

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The basic principle of Photoshop is to edit a photo using layers. These layers make it possible to control the whole picture in many different ways. All the layers can be deleted or combined to become a single layer again. This means that you can divide images into several layers and later merge them again. The classic application for this kind of editing is a portrait photo of a model with five layers. The layers can be used to give the model different makeup by selecting different aspects of the face, or to add more content, such as hair, accessories, a background, etc. After editing, you can always merge the layers back to one image.

Adobe Photoshop is considered to be one of the best photo editing software. Photoshop became famous when the company created the first professional digital image editor.


The first Photoshop was released in 1991. In 2011, the company celebrated the 25th anniversary of the program’s release.

Adobe Photoshop was originally developed by French company Adobe Systems, who originally charged $299 for it. In 1992, the company released Photoshop for Windows. Its price was subsequently reduced to $49.

Photoshop became one of the most popular image editing applications. It is used by graphic designers and photographers all over the world.



Layers are used to divide a single image into many parts. These parts are known as layers and each layer can be moved, resized, converted into a selection or contain a color, texture or pattern. Layers can be combined to form a single layer. They can also be moved, resized and recolored.

Batch processing

Batch processing is a feature where you can import several images and convert them into just one process.


Gestures are a feature where you can draw lines and curves to arrange the order of the tools or to create various effects, such as patterns, streaks and strokes.

Pixel-based brushes

Pixel-based brushes are brushes made of pixels. You can create new pixel brushes from scratch or create a canvas, place new brushes and create previews of how you want the canvas to look. In addition, you can edit and modify existing brushes.


Video is supported in Photoshop by using layers, masks, masks layers, blend modes, transitions, gradients and image transformations.


Photoshop supports frames of animation and supports the creation of GIF and A

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// Append the converted value to the result.
SubVector result(subRowCount);
for (size_t r = 0; r subResult(subRowCount);
for (size_t c = 0; c (r, c, 1));
mData.set(r, c + 1, c + 1);

* A state

What’s New In?

A modern electronic eye-brain interaction.
‘Eyes,’ as used for scientific purposes, are contrasted with ‘brain’. Also ‘brain,’ as used for scientific purposes, is contrasted with’mind.’ Mind is contrasted with ‘emotion’. Eyes and brains are contrasted with emotions. Concepts of ‘brain’ and’mind’ are identified as variously functional, structural, taxonomic, phylogenetic, and phenomenological. The concept of mind is assessed by criteria of ‘interconnectedness’. The familiar sciences of brain and mind are seen as the most recent phases of biology. Biological ‘black boxes’ are seen as being replaced by ‘white boxes’. Science is seen as a’solution-seeking’ or a ‘problem-solving’ activity. It is also seen as a function of an organism’s ability to focus on its environment, deal with its own biological demands, and translate and process the environment’s information. The conception of ‘brain’ and’mind’ and ‘emotion’ as functional, structural, taxonomic, phylogenetic, phenomenological, and connected is applied to the scientific disciplines of biology and psychology. As a result, the modern sciences of brain and mind are seen as being rather similar.Introduction

Episode 07 – A Heart for War

My first time at an on-site event with a prominent voice at ConsenSys.

A lot of times when we talk about digital currencies, we talk about the philosophy of the digital currency, we talk about the economics of the digital currency, we talk about the technology of the digital currency. But what we rarely talk about is the political, philosophical, or ideological aspects of the various cryptocurrencies. That being said, when I first joined ConsenSys in 2014, I was thrilled to learn that we were working with a few different teams on decentralized applications that deal with policy, governance, and legislative concerns.

After spending some time with the Ethereum Foundation’s Policy team, I joined ConsenSys’ Constitution Project team in early 2017 and began working with the team that developed MetaMask.

Last month I was invited to join one of the most important blockchain events of the year: Consensus, in New York City.

Although I did spend a lot of time last week talking about Ethereum and what’s going on in Ethereum 1.0, during the conference, I mostly had the opportunity to talk about a project called Rootstock. This is a project that’s attempting to create a blockchain with cryptoeconomic incentives, private transactions,

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